They Don’t Pay, We Won’t Pay!

Hi everyone, and welcome to another review!

This show, that I am going to talk about was on my radar even before I got invited by The Mercury Theatre to go and see this. I am also hoping to go and watch this again soon, so that should give you a smaller insight into what I think of the show but please do read the rest of what I think! As hopefully some of it will be helpful if you wanted to see this yourself. I also need to say as always a huge thank you to The Mercury Theatre for their kind invitation and for giving me the opportunity.

‘They Don’t Pay, We Don’t Pay’ is Produced by Tracey Childs, and directed by Ryan McBryde. Both have bought us amazing shows in the past so I am always hopeful when I see these names in the programme! The show tells to story of local people who have had enough of the ‘Cost Of Living Crisis’ currently happening in the UK and tells the story of local people just paying what they can for the food they take, or not paying at all. The storyline follows the couple Anthea played by Laura Doddington and Jack played by Joseph Alessi as they try to figure out what they doing to do about all the food and energy bills going up, but when Anthea comes home with all this shipping, and she starts telling these web of stories to try and get them out of the current situation that she has landed them in. That night turns into the most action-packed they have ever had!

Photo shows Jack, Lewis and the police sergeant running towards the police tape like its the end of the race.

The show was very current to the time and conveyed well what it can be like for people living below the breadline and just about making ends meet. But at the same time, there are heaps and heaps of comedy throughout the whole show. Sometimes I could tell whether or not something was meant to happen or not, or if something went wrong! All of the sets were bright and colourful, along with the characters’ costumes. This was a massive help, as Anthea wore a pick hoodie/jumper, Jack wore overalls for his work, and Maggie played by Tesni Kujore Anthea’s close friend wore a flowery dress. It was really easy to tell who was who at the right time. Even though all the cast did such an amazing job, I have to shout out Marc Pickering who played several supporting characters, all very similar and this was an amazing use of comedy as the other characters would reference this at times which only added to the hilarious comedy.

This show has to be the most accessible show I have seen so far this year! I mentioned the use of colour and costumes above, but all the comedy was verbal with little sprinkles of physical comedy but they were described by the actors! When going to shows, I have sometimes felt a little left out because of a certain scene, but this is rare. But I have to say, this is the first show in quite some time that not once did I ever feel this! Everything was clear and easy to follow, even though there was one darkness scene it was described to the audience from start to finish! I have to say a big thank you to the writing and production teams! As it was you that make this show accessible, and it is clear to see that you thought about your audiences, including those with Sight Loss!

Photo shows Jack and Lewis holding sacks of rice. with lewis talking to Jack with Jack having a worried look on his face.

I cannot think of higher praise than this. I plan on coming back to watch this show again. I just need to find a date that works! 

Talking of Accessible performances, there are available: A Audio Description performance is available with a Touch Tour before the show on Thursday 30th March at 2.30 pm. Prices range from £15 – £30, but also accessible and carer tickets are available. 

‘They Don’t Pay, We Don’t Pay’ is at The Mercury Theatre from 17th – 31st March 2023! Tickets can be found on The Mercury Theatre website! Get your tickets whilst you can! You don’t want to miss out on this!

Until Next Time,

The VI Critic

Manjeet Mann’s ‘Run Rebel’

Yesterday I was kindly invited by The Mercury Theatre in Colchester to see Run Rebel.

I opted to go to the matinee performance which I felt turned out to be a good decision as the atmosphere seemed more relaxed and informal. There were two schools in the auditorium which was a little distracting for me but in some scenes really added to the emotion of the performance with all of their reactions. This was highly welcomed and I felt was a nice change.

Run Rebel is produced by the same company that also put on the show Noughts & Crosses, which has seen numerous awards since. I was somewhat excited to see this after enjoying their previous show, and I wasn’t disappointed.

shows a picture of the stage before the show, and the view from my seat.

The show tells the story of Amber, a teenager who feels trapped on one side by her family and the expectations of her father and on the other by her love for running and her dream of one day representing her country. There is tension as her father feels she should give up on her dream and follow the traditions of the household but the love of running and the will to follow her dreams is too strong a siren’s call for Amber to resist. Within this show is a strong use of Amber’s mental health and also of her family life, with everyone scared of her father due to domestic violence.

But once Amber learns about the French Revolution in her history lesson, she encourages her family to revolt against her drunken father.

This is very much a welcome change for me, as these are subjects aren’t spoken about enough in todays modern world, especially by teenagers. It was great to see school children at this show, and I really hope they took something from it.

The cast were brilliant, I could really feel the emotions from all of them incredibly well. Jessica Kaur did a fantastic job playing the character of Amber, along with narrating the story to the audience. The chemistry behind all the cast was palpable, especially between Pushpinder Chani who played Amber’s father and Jessica Kaur as Amber. During their scenes together, I truly felt like they were indeed father and daughter. This really made me feel I was watching professionals at work!

On to the accessibility; the main issue was a strong use of harsh or minimal lighting. Most of the performance it was either one or the other, which on occasion made it very difficult to fully see what was happening. At times when Amber was talking to the audience she was lit by a spot light so she was easy to see but there were other scenes where the characters were washed out by the lights, so it was a little difficult to see. Also in a number of scenes especially when Amber was at home with her family, the stage would be very dark so I found it difficult to see what was happening.

As I was in row E this time, if I were to go and see the show again I would pick either row D or ideally C, as they are much closer so I would be able to see much more.

photo shows Amber and other class mates all wearing colourful clothing all standing in a line preparing for a race.

On the plus side however, the use of action scenes was low. Most were just some of the actors running up and down the stage or running on the spot, but with the spoken dialogue filling in the exposition. This is a great addition as then you really aren’t missing out on anything for about ninety percent of the show. The only scene you do miss out on is the more physical/fight scene towards the end as that isn’t really described in detail, but I feel like I can forgive them for that.

 As a result, the story flowed really nicely and I was able to understand what was going on really well, and missed very little. My own tiny gripe is that I don’t think microphones were used during this performance? This would have been helpful in certain places, as I found that in some of the scenes I struggled to fully understand what some of the cast were saying. So maybe in future shows this is something that could be added?

There are no access shows unfortunately according the Mercury’s website. I would assume this is due to Run Rebel having a short run at The Mercury. However as this show is going on tour around the UK, hopefully if they have longer runs at other theatres this is something that can be added in the future.

photo shows amber and her dancing laughing, dancing, and bumping hips to some music.

Finally then overall, I feel it really doesn’t matter if you are a blind or visually impaired theatre-goer as I think you are going to get something out of this show, whether you are young or old. As I said, Run Rebel is touring so go grab yourselves a ticket!

I think this is an important production as there is so much merit in the huge amounts of discussion on mental health, as well as the scenes of domestic abuse and violence.

A ‘Content To Consider’ document has been created should you feel that the show may possibly be triggering for you so if you are interested and would like to know more, I will link it for you below.

Visit The Mercury Theatre’s website to find information on tickets and more!

Run Rebel is running at The Mercury Theatre from Thursday 2nd March until Saturday 4th March 2023, but is on tour at the follow dates and venues:

York Theatre Royal: 7th – 11th March

Derby Theatre: 14th – 18th March

Belgrade Theatre Coventry: 21st – 25th March 

Alnwick Playhouse: 28th – 31st March

Until Next Time, 

The VI Critic