‘A Classic Ghost Story’ – Turn Of The Screw

Hi everyone! Here’s to 2018!

For the first show of 2018, I went to go and see ‘Turn of The Screw’ by Henry James’ adapted for the stage by Tim Luscome. This show has been advertised as ‘The Classic Ghost Story’ and that is definitely the case. This is very much a play of despair, unconditional love, and fear!

‘Turn of The Screw’ tells the story of a fifty-year-old governess who is interviewed to take charge of her mistress’s children, for her then to find out she is actually one of two children she used to look after thirty years ago. The play tells the story if the governess’s time at Bly House and it’s haunted past. I enjoyed the show overall, but due to the time period in which the play is set, at times I personally struggled to understand a certain scene, due to the type of language used. This is anything, but a good thing, as it helps set the scene of the period.

A scene from Turn of the Screw by Henry James (adapted by Tim Luscombe) at the Mercury Theatre Colchester. Directed by Daniel Buckroyd. Designed by Sara Parks. Lit by Matt Leventhall.

Description: The Governess & Mrs. Grose looking far into the distance, in the children’s nursery

Throughout the show, there were transitions for the governess (played by Carli Norris) and Mrs. Conray between a past younger version of themselves and the present, and this was brilliantly done. Often when I go and see shows of the same style and layout, this can come across very confusing to the audience. However, in this case, there was no confusion and it was expertly done.

At first, I thought this is being a somewhat quiet show that someone with no vision would struggle understanding the story and what exactly was going on. But actually, I was pleasantly surprised. Sure there were some parts of the story that I struggled to understand, however, is the show progressed I started to get used to the style and started to understand the flow. There were some key moments, that as an audience member I did not see coming.

A scene from Turn of the Screw by Henry James (adapted by Tim Luscombe) at the Mercury Theatre Colchester. Directed by Daniel Buckroyd. Designed by Sara Parks. Lit by Matt Leventhall.

Description: The Governess sitting in a rocking chair facing forward, looking dazed.

Do not get me wrong, this is not a show for the faint-hearted and does have some loud sounds and flashing lights throughout, and the show has a very dark awareness about it. But this in no way should it take anything away from your show. All the cast were brilliant, and the story was excellently written and directed. I must say, this is not a show for everyone however if you enjoy a traditional vibe of theatre, then I can highly recommend this.

People With A Visual Impairment: I think with the show, not using a lot of lighting, the use of flashing lights and blackouts. I think you may struggle here, the use of Audio Description would be a good choice, along with a close seat to the stage. Please also if you are light sensitive, you maybe want to bare this in mind.

A scene from Turn of the Screw by Henry James (adapted by Tim Luscombe) at the Mercury Theatre Colchester. Directed by Daniel Buckroyd. Designed by Sara Parks. Lit by Matt Leventhall.

Description: A younger Mrs. Conray & her brother playing in the Nursery, she is wearing fairy wings, whilst her brother is wearing a horse head shaped hat.

People With No Vision: On a whole, I think you do fine here, again I think Audio Description is a good choice, however, if that’s not available then I think as long as you can understand some of the period language I think your do just fine. There some visual aids in the show which might not help in understanding the story, e.g. the transitions between the past and the present day, but I think if you go with a sighted friend then you should be okay to watch this without a worry.

‘Turn of The Screw’ is running at The Mercury Theatre from 23rd February until 10th March. But the show is also on a national tour throughout the UK. If you would to see if ‘Turn of The Screw’ is coming to your local theatre, then you can find out by clicking the link below:

Mercury Theatre Tickets Click Here. For all other UK Tour dates Click Here.

Until Next Time,

The VI Critic!

 

Photo Credits: Mercury Theatre & Robert Workmen

Conor McPherson’s ‘The Weir’

Hi again,

Last week I went to go and see ‘The Weir’ at The Mercury Theatre in Colchester! I know this review is a little late in coming as I went to go and see this show almost a week ago. But this show will not disappoint. 

The show I feel is a set of smaller stories, as each character tells a mixture of folklore, fiction, and ghost stories. This show has a  somewhat small cast consisting of Finbar, a man that came across to me as someone who is a member of the wealthy family of the village who had been living there for many years as he seemed to know a lot about the village. You then have Jack and Jim, who are regulars at the Irish pub,  Brendan the pub landlord, and Valerie a newbie to the village, and is on a local retreat to get away from the hustle and bustle of everyday life.  

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Photo Credit: Mercury Theatre & Marc Brenner

I’m going to come out and be honest, after coming home from the theatre I was thinking that this is something which I wouldn’t normally come and see myself. However, as I’ve had a few days to think about it, I’ve changed my mind! This is definitely something I would happily go and see again. Natalie Radmall-Quike’s acting as absolutely brilliant! Her character had a scene where she was really emotional as the scene was of her child. But I felt that I had a real connection to her character. Jack played by Sean Murray, I really enjoyed his acting and accent! He provided the humor through the whole show and I think the audience enjoyed his jokes and humor, not just me. Don’t get me wrong, there were some serious scenes too, but there was a clear definition, and you could honestly feel the pain and emotion all characters were feeling. Would I go and see this again? Yes!! You got a real sense of Irland, the country, the Irish people and the way they live. 

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Photo Credit: Mercury Theatre & Marc Brenner
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Photo Credit: Mercury Theatre & Marc Brenner

People With A Visual Impairment: You will have no problems, go and see this!

People With No Vision: I normally would say to you, get Audio Description as this will be a massive benefit. However, with this show, I honestly don’t think you need it here. The story, emotion and acting from all characters and actors will get you through this show without an issue.

‘The Weir’ is now on tour throughout the UK so if you’d like to see when they are coming to a theatre near you, then click here for the English Touring Theatre!

Trailer:

Until Next Time,

The VI Critic

The Events

Hi Guys, coming to you with yet another review! Last night I went to go see ‘The Events’ at The Mercury Theatre in Colchester!

Now this show was somewhat different, in the fact that this was not in the main theatre. This was performed in the Studio at the theatre which is a much smaller space. Initially, It was quite very cosy space but as time when on it became very cramped and I personally found it very difficult to move and in the end I was afraid to move, just in case I accidentally hit the person next to me. I personally think from someone with a Visual Impairment this is not the most ideal space to watch a show because of the very limited space to move. If you are a Guide Dog owner there is very limited space for your dog to sit let alone lay down.

Let’s move on the positives, the acting from both actors was really good, the acting from Josh Collins particularly stood out. The show was very audience interactive, because of the small space all members of the cast and choir would enter and exit the stage through the audience, and even some of the acting and lines were said in amongst the audience which I thought was a nice touch. 

 

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‘The Boy’ played by Josh Collins wearing all black clothing and headphones, looking into the distances and saying his lines.

 

Now, reading this you’re probably thinking: ‘Hang on, you haven’t told us anything about the story?’ and you’d be right I haven’t. But as always there is a method to my madness. The story, I found it very difficult to follow and understand. After spending some time thinking about this I think I have worked out why. Throughout the show, it was not very clear to me at least where the scene and characters had changed. Josh Collins, for example, played two different characters ‘The Boy’ and Claire’s partner Katrina. Now, this is nothing against Josh or any of the cast on their acting. But sadly it wasn’t until half way through a scene did I work out that this a new scene with different characters, and therefore this made it very difficult to understand the story.

But having said all that, the bits and pieces that I got about the story are as follows: ‘The Boy’ who to my knowledge has no name, wants to leave his mark on the world and feels that the only way he can do that is either through art or violence, and has he says he was not very much good at art. Therefore he decides to get hold of a gun and go on a murdering rampage and take out a whole choir and theatre teacher Claire. Claire is struggling with her own problems and trying to figure out herself and her faith. 

 

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‘Claire’ played by Anna O’Grady, wearing a brown and dotted dress looking into the distance with the choir in the background.

 

I personally don’t think this is a show for the average Joe, just someone who enjoys theatre. I think this show is for the more mature theatre-goer who enjoys a deep subject matter, and because of the very deep subject matter, violence and swearing throughout, audience members have to be at least 15 years or older to see this show. 

Onto the ratings then:

People with a Visual Impairment: Assuming the fact that you have booked yourself a close seat to stage you will have no problem watching and understanding this show. The only downside I feel is that there is very, very limited colour throughout the show, the only colour they show in the show is grey so that could produce a problem if you rely on colours.

People Who Have No Vision: I think you will have no problem with this show at all. You might have to concentrate a little harder in terms of understanding the story, but that’s the only negative I see.

‘The Events’ is running from 2nd – 17th June at The Mercury Theatre in Colchester Essex. If you wish to know more about the show and interested in booking tickets, then you can follow this link by clicking HERE.

Until Next Time,

The VI Critic 

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Promotional graphic. A black and white photo of a young girl sitting on a seawall looking out to sea. Written in the sea: “The Event’s by David Greig”.

Lord Of The Dance – Dangerous Games

When I researched the show, like I do for all the shows I go and see. This one seemed different. Last night I went to go see ‘Lord of the Dance – Dangerous Games’ at The Ipswich Regent in Ipswich. If I’m honest after researching the show I wasn’t entirely sure whether I would like it or not. But as you will find out later I definitely did!

‘Lord of the Dance’ is a show that tells it’s story solely through dance. There are no lines or acting involved. I’m going to go out and say this right from the start, this show is one hundred percent a visual show. Sadly you would need some form of vision to really understand this show fully. This is the one main down side, I found out that this show has toured many countries and completely sold out! I would like to think, on knowing how big this show is, they would adapt the show for people with Visual Impairments or someone with no vision. But this I can’t tell you for certain. The only downside of the actual show, I never really understood the story. You could tell there was one, in certain scenes like the fighting scenes for example. But apart for that I didn’t really get the story at all.

Moving on the positives, you could immediately tell the high level of dancing standard that is required of all the dancers in the show, because all were absolutely amazing! You could tell it took years of practice and it definitely showed. The high level of visuals were brilliant! They used two LED screens, one giant screen at the back of the stage and one more towards the front, which was used as a platform which the dancers could dance on. The high definition animations were breathtaking, and really made the show more beautiful.

Michael Flately who is the Creator, Producer and Choreographer, is world famous for his energetic and fast dancing and his shows are always sell outs world wide. I’m going to be honest and say that until now, I have never heard of him before. Now I have become a massive fan and I hope I get to see another one of his shows again. When I researched the show I found an interview that he done a few years ago and he said something that completely sums up the point I’m trying to make very nicely, he said: “I wanted to try and make tap dancing popular again!” and he has certainly done that.

If you have some free time go and see this show you will not be disappointed! For all information on the show and to buy tickets – Click Here.

Until Next Time,

The VI Critic

Trailer Below: