Accessibility Theatre Review Of ‘BindWeed’ At Colchester’s Mercury Theatre

The image depicts a dramatic scene,  from a theatrical performance.

   - The scene takes place in a dark room with a circular stage at the center.
   - Overhead, there are various objects such as chairs and props suspended, contributing to a cluttered and intense atmosphere.

   - The lighting is focused intensely on the person standing at the center of the stage, creating a spotlight effect.
   - Additional lights are pointed towards the stage, enhancing the dramatic effect and ensuring the audience focuses on the central figure.
 
3. **People**: 
   - There are a total of six individuals present.
   - One person is prominently standing in the middle of the stage, appearing to be the central character.
Photo: Will Green

Accessibility Review Of Harry Potter & The Cursed Child

The picture shows the front facade of the Palace Theatre, currently hosting the play "Harry Potter and the Cursed Child". The theater has a classic Victorian red brick design with ornate stone carvings and arched windows. Above the entrance, there is a large, black sign with gold lettering that reads "Harry Potter" and beneath it, in smaller letters, "and the Cursed Child". Above the sign, there is a nest-like structure with a swirl that resembles the iconic 'snitch' from Harry Potter. Below the sign, there are two sets of double doors with a semi-circular glass canopy over the entrance. There are a few people around the entrance, and promotional banners for the play are visible on the railings in front of the theater.
The picture shows a hand holding up a program for "Harry Potter and the Cursed Child" in a theater. The program cover features a golden snitch with wings ablaze, set against a black background with a clock face. Below the snitch is the title in gold lettering. The background of the photo is blurred, but it suggests the interior of a theater with an ornate ceiling.
The picture shows an ornate interior with a gothic architectural style. There are a series of arches that ascend in size from the foreground to the background. The arches are made of metal with decorative elements and are illuminated by ambient lighting, which gives a dramatic and elegant effect. The walls are dark with patterns that resemble brickwork, and there are pointed arch windows with tracery. The overall atmosphere is grand and theatrical, possibly a setting for a performance or an event. There are some people seated at the bottom of the image, suggesting this is a public space.

Self Raising! – Starring Jenny Sealey

The image shows a theatrical performance with a single actress on stage. She is sitting on the floor, wearing a light blue hospital gown, with her hair up in a messy bun. Her expression is animated, and she appears to be in the middle of delivering a dialogue or monologue. In front of her, there is an open cardboard box with scattered photographs all around it on the stage floor. The audience is visible in the background, sitting in darkness, attentively watching the performance. The setting seems intimate, with the audience close to the performer.
The image shows a middle-aged woman with shoulder-length blonde hair, looking directly at the camera with a neutral expression. She has light skin and is wearing dark lipstick. Her attire includes a dark grey shirt with a large, twisted silver necklace. The background is dark grey, and there is a dynamic effect of white powder that looks like it's being thrown over her head, creating a contrast with the dark background. The powder is also lightly dusting her hair and shoulders.
Trailer Starring Jenny Sealey

Oscar Wilde’s ‘The Importance Of Being Earnest’

The image depicts a whimsical, theatrical scene. There is a woman standing on the left, dressed in a floral dress with her hair up, looking upwards. She is next to a small round table with a pink cloth and two red chairs. In the center, there is a large, ornate fireplace with a pile of red and white roses spilling out from it. Above the fireplace hangs a large, round, dark mirror with a pink frame. On the right, a man in a pink suit with a blue bow tie leans on a high counter, looking towards the woman. The backdrop is a lush wall of greenery and flowers, and there are three birds suspended in the air as if in mid-flight. The floor has a checkered pattern in light blue and white.
The image shows a man standing in a room with a playful and confident expression. He is holding a red book in his left hand and resting his right hand on the back of a white, ornate sofa. He is dressed in a colorful outfit: a teal robe with a floral pattern, a maroon sweater, pink pants, and a brown belt. Behind him is a bookshelf filled with neatly arranged books in various bright colors. The room has a light blue wall and a grayish-blue floor.
The image shows a stage set designed to look like an elegant room. The room has a pastel color scheme with light blue and white checkered flooring. The walls are adorned with white paneling and decorative moldings, and the backdrop features a painted sky with fluffy clouds. 

On the left side of the stage, there is a white bookshelf filled with colorful books. In the center of the room, there is a classic white sofa with ornate detailing. 

To the right, there is a small round table covered with a pink cloth, upon which rests a lamp with a fringed shade, and a single chair that matches the sofa's design. 

Above the table, on the wall, is an oval-shaped mirror with a pink frame. There are two wall sconces emitting a warm light on either side of the mirror. 

The overall atmosphere of the set is whimsical and charming, reminiscent of a fairytale interior.

The image is a promotional poster for a play. It features a person dressed in a pink suit with a large pink rose for a head. The person is holding a teacup close to where their mouth would be. The background is olive green with ornate gold designs on the corners and sides. The title "THE IMPORTANCE OF BEING EARNEST" is prominently displayed in large white letters, with "by OSCAR WILDE" and "directed by RYAN McBRIDE" in smaller text below.

Gaming When You Have A Visual Impairment

The picture shows a scene set in a post-apocalyptic environment with lush greenery and overgrown vegetation. 

On the left side of the image, there is a female character with long brown hair, wearing a backpack and carrying a weapon on her back. She is standing in tall grass next to a yellow fire hydrant and a tree with vines hanging from it. 

In the background, there is a brick building with a broken sign that reads "Majestic". The windows of the building are shattered and the walls are covered in moss and vines.

In the center and right side of the image, there are more trees and a white, abandoned van. The van has a large, torn banner draped over it with text that reads "RULES MUST BE FOLLOWED" and lists several rules underneath. 

The overall atmosphere of the image is gloomy and abandoned, with a sense of nature reclaiming the urban environment.
Picture shows an indoor setting that looks like a storage room or warehouse. The room is dimly lit and has a gray color scheme. 

In the foreground, there is a character in blue, crouching behind a counter. The character seems to be in a stealth mode or taking cover. 

In the background, there is another character in red, standing and holding what appears to be a gun. This character is illuminated by a light source, possibly indicating that they are an enemy or target. 

There are also various objects scattered around the room, such as shelves, counters, and debris on the floor. 

On the bottom right corner of the screen, there is a game interface showing a gun icon and the number 6/15.
It depicts a post-apocalyptic scene in a forested area. 

In the foreground, there is a female character with brown hair tied back in a ponytail. She is holding a handgun and aiming it towards something in the distance. Her arm has a tattoo and she is wearing a grey shirt.

To the right, there is a white van with a large sign on its side that reads "RULES" followed by a list:
1. All WLF soldier instructions must be followed.
2. Fedra collaborators will be executed.
3. Permission required for leaving assigned zone.
4. Curfew will stay in effect until further notice.

In the middle ground, there is an old, rusted car with a brownish color. The area is overgrown with tall grass and trees.

In the background, there is a building that looks like it might have been a bakery at some point, as the word "Bakery" is faintly visible on the side of the building. There are also more trees and a yellow ring floating in the air, possibly indicating an objective or target in the game.

In the bottom right corner, there is a HUD (Heads-Up Display) showing the character's ammunition count
The picture shows a settings menu from a video game. The menu is titled "ACCESSIBILITY" with a subheading "COMBAT ACCESSIBILITY". There are several options listed with toggle switches next to them. Here are the options and their current settings:

- Enable Combat Accessibility: On
- Hostages Don't Escape: On
- Allies Don't Get Grabbed: On
- Enemies Don't Flank: On
- Reduced Enemy Perception: Off
- Reduced Enemy Accuracy: Off
- Enhanced Dodge: On
- Invisible While Prone: Unlimited
- Weapon Sway: On
- Slow Motion: Off

On the right side, there is a description that reads: "Enables the combat accessibility settings. These settings are designed to make combat accessible for all players. As such, they can significantly alter the gameplay experience."

At the bottom, there are three options:
- Change
- Reset to Defaults
- Back

Manjeet Mann’s ‘Run Rebel’

Yesterday I was kindly invited by The Mercury Theatre in Colchester to see Run Rebel.

I opted to go to the matinee performance which I felt turned out to be a good decision as the atmosphere seemed more relaxed and informal. There were two schools in the auditorium which was a little distracting for me but in some scenes really added to the emotion of the performance with all of their reactions. This was highly welcomed and I felt was a nice change.

Run Rebel is produced by the same company that also put on the show Noughts & Crosses, which has seen numerous awards since. I was somewhat excited to see this after enjoying their previous show, and I wasn’t disappointed.

shows a picture of the stage before the show, and the view from my seat.

The show tells the story of Amber, a teenager who feels trapped on one side by her family and the expectations of her father and on the other by her love for running and her dream of one day representing her country. There is tension as her father feels she should give up on her dream and follow the traditions of the household but the love of running and the will to follow her dreams is too strong a siren’s call for Amber to resist. Within this show is a strong use of Amber’s mental health and also of her family life, with everyone scared of her father due to domestic violence.

But once Amber learns about the French Revolution in her history lesson, she encourages her family to revolt against her drunken father.

This is very much a welcome change for me, as these are subjects aren’t spoken about enough in todays modern world, especially by teenagers. It was great to see school children at this show, and I really hope they took something from it.

The cast were brilliant, I could really feel the emotions from all of them incredibly well. Jessica Kaur did a fantastic job playing the character of Amber, along with narrating the story to the audience. The chemistry behind all the cast was palpable, especially between Pushpinder Chani who played Amber’s father and Jessica Kaur as Amber. During their scenes together, I truly felt like they were indeed father and daughter. This really made me feel I was watching professionals at work!

On to the accessibility; the main issue was a strong use of harsh or minimal lighting. Most of the performance it was either one or the other, which on occasion made it very difficult to fully see what was happening. At times when Amber was talking to the audience she was lit by a spot light so she was easy to see but there were other scenes where the characters were washed out by the lights, so it was a little difficult to see. Also in a number of scenes especially when Amber was at home with her family, the stage would be very dark so I found it difficult to see what was happening.

As I was in row E this time, if I were to go and see the show again I would pick either row D or ideally C, as they are much closer so I would be able to see much more.

photo shows Amber and other class mates all wearing colourful clothing all standing in a line preparing for a race.

On the plus side however, the use of action scenes was low. Most were just some of the actors running up and down the stage or running on the spot, but with the spoken dialogue filling in the exposition. This is a great addition as then you really aren’t missing out on anything for about ninety percent of the show. The only scene you do miss out on is the more physical/fight scene towards the end as that isn’t really described in detail, but I feel like I can forgive them for that.

 As a result, the story flowed really nicely and I was able to understand what was going on really well, and missed very little. My own tiny gripe is that I don’t think microphones were used during this performance? This would have been helpful in certain places, as I found that in some of the scenes I struggled to fully understand what some of the cast were saying. So maybe in future shows this is something that could be added?

There are no access shows unfortunately according the Mercury’s website. I would assume this is due to Run Rebel having a short run at The Mercury. However as this show is going on tour around the UK, hopefully if they have longer runs at other theatres this is something that can be added in the future.

photo shows amber and her dancing laughing, dancing, and bumping hips to some music.

Finally then overall, I feel it really doesn’t matter if you are a blind or visually impaired theatre-goer as I think you are going to get something out of this show, whether you are young or old. As I said, Run Rebel is touring so go grab yourselves a ticket!

I think this is an important production as there is so much merit in the huge amounts of discussion on mental health, as well as the scenes of domestic abuse and violence.

A ‘Content To Consider’ document has been created should you feel that the show may possibly be triggering for you so if you are interested and would like to know more, I will link it for you below.

Visit The Mercury Theatre’s website to find information on tickets and more!

Run Rebel is running at The Mercury Theatre from Thursday 2nd March until Saturday 4th March 2023, but is on tour at the follow dates and venues:

York Theatre Royal: 7th – 11th March

Derby Theatre: 14th – 18th March

Belgrade Theatre Coventry: 21st – 25th March 

Alnwick Playhouse: 28th – 31st March

Until Next Time, 

The VI Critic