Hi everyone, and welcome back to another review!
I know — two reviews back to back! That doesn’t happen very often. But this show is a completely different experience from the one the night before, so strap in for this one!
This time, I was kindly invited to see Private Lives at The Mercury Theatre in Colchester.
Set in the 1930s, the play follows two newly married couples who book into a glamorous hotel on the French Riviera. It soon becomes clear that the husband of one couple and the wife of the other were once married to each other. Their passion reignites, and what follows is a wonderful mix of drama and comedy as old feelings and fiery tempers resurface.
From start to finish, this was a lively, engaging, and genuinely entertaining production, with just the right touch of seriousness sprinkled throughout. Every cast member delivered exceptional performances. Ashley Gerlach’s comic timing — paired with his little ad-lib moments — was spot-on. Sometimes these moments pushed a point further; other times they simply added a touch of charm. They didn’t have the audience roaring with laughter, but they didn’t need to. It was just enough to make the show that much more enjoyable.
Chirag Benedict Lobo and Pepter Lunkuse had fantastic chemistry — as did the entire cast — but their connection as Elyot and Amanda felt especially genuine. You could really sense that they cared for one another, both as actors and as the characters they brought to life, all while clearly having great fun on stage.

Visually, the show bursts with vibrant colour — from the detailed sets to the stylish costumes and lighting. It was easy to distinguish one character from another, and everything on stage felt bright and full of life. Personally, I would have liked to have seen a bit more of Ashley Gerlach and Sade Malone, as there was a point where I wondered if they’d return! One scene between Elyot and Amanda did run a little long, but that’s probably just down to personal taste.
For those with some useful vision, the abundance of colour can become a little tiring by the end, as there’s a lot to take in. There’s no harsh lighting, but the first act features quite a bit of fluorescent neon lighting, which is toned down significantly in the second act. The orange and teal tiled floor stood out the most — bright and eye-catching under the stage lights. I’d recommend sitting no closer than row D for the best balance, but if bright visuals bother you, a few rows further back might be ideal.

For blind or visually impaired audience members, I’m delighted to say that an Audio Description and Touch Tour are available for this production. This show is about fifty percent dialogue and fifty percent physical, including a highly physical scene in the second act and near the end. These moments enhance the story beautifully without taking away from the plot, and the audible reactions from the cast ensure you won’t miss out on what’s happening.
Overall, Private Lives is a delightful night out — full of laughter, energy, and heart. It’s a refreshing and thoroughly enjoyable production that offers something a little different. Although it has a short run at The Mercury Theatre from the 9th to the 11th of October 2025, I’ve been told it will also be heading out on tour. So if you can’t catch it in Colchester, keep an eye out for tour dates soon.
The Audio Described and Touch Tour performance takes place on Saturday 11th October at 2:30pm, with the Touch Tour approximately two hours beforehand — but do confirm this with the Box Office team when booking.
Private Lives runs at The Mercury Theatre, Colchester from the 9th to the 11th October 2025.
More information and tickets are available via The Mercury Theatre’s website — click here for details.
Until next time,
The VI Critic





